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about wax painting
I developed my encaustic wax technique by covering paper
with a thick coat of melted beeswax, occasionally over a colored underlay
of water based pigment. The wax is highly resistant to yellowing, weathering,
moisture, and high temperatures - more so than oil paint - and comes in
different colors, of which I prefer 'Burnt umber', 'Burnt sienna', 'Black',
and mixes of these three to create an overall uniform tone. After the
wax cools, I scratch out images from the dark box. Then, I might use oil
paints or color pencils to apply more detailed variations in color and
tone. When all is finished, the artwork is on a two -dimensional surface,
but has a slight three-dimensional feel to it. This is the effect that
I am always looking for, giving me the comfortable feel of both painting
and sculpturing.
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